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[–]sprockety 12 points13 points ago

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The first time I saw Casablanca I was really surprised by how well all the lines really worked.

i mean, i had heard most of them hundreds of times before I even saw the film. but they all worked. didn't sound cheesy, Completely captivating.

Love that movie so much.

I think i read someplace; when they were making it no one involved thought they were doing anything special. Just another studio picture.

[–]gensher 3 points4 points ago

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I'm 31, saw this movie for the first time couple of nights ago and was completely blown away. The only thing that truly frazzled me was "Here's looking at you, kid" repeated over and over, otherwise - perfect in every imaginable way, something that you very rarely get.

[–]malconsidine 8 points9 points ago

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Lucky you. Hopefully screenings like these will become more common. :\

[–]TheGallopingGhost 3 points4 points ago

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I think they're bound to as copyrights start expiring. Unfortunately, Disney has successfully lobbied to extend copyright several times, but we're finally starting to get close to some talkies being out of copyright.

[–]emFox 4 points5 points ago

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I envy you. I really want to hear Peter Lorre screaming, "REEK! REEK!" on the silver screen.

No independent theaters or anything here, just Dipson chain theaters.

[–]ditchtwicker[S] 3 points4 points ago

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Maltese Falcon is the Nov. movie. Get to max out the Peter Lorre, Sydney Greenstreet and Bogart screen time. Can't wait.

[–]BigScarySmokeMonster[!] 3 points4 points ago

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Yeah we caught Casablanca on the big screen once a few years ago. It's goddamn awesome in the theater. Really somehow loses a lot on even our 42 inch flatscreen at home. It's like Bogey is meant to be seen 20 feet tall and a TV can't contain him.

[–]Sealbhach 2 points3 points ago

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Great! I remember some years back I went to see Lawrence of Arabia in a local cinema about three times in two weeks. It's great to see movies as they were meant to be seen.

[–]angelozdark 1 point2 points ago

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Sounds sweet :)

[–][deleted] 1 point2 points ago

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I wanted to check it out last night, but it seems that it was a one time event.

[–]ditchtwicker[S] 1 point2 points ago

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http://www.cineplex.com/Events/ClassicFilmSeries/FullSchedule.aspx
Should be another showing on Sept. 26 if you have Cineplex where you are.

Looks to be two showings a month with a new movie each month.

[–][deleted] 1 point2 points ago

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I have 2 Cineplexes close to me + 1 massive second run (it's called Cinema City) theater (tickets are 2-3 bucks) close to me. Ill check them out soon. :)

[–]kmunoz 3 points4 points ago

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Casablanca has the worst ending in a movie I've ever seen. Throughout the entire film, Ilsa has been trying to convince Rick that what she and her husband are doing is right and good, and that she can't be with Rick because doing so would jeopardize the work. Then in the final scene, she changes her mind and then he says: "But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that."

"Someday you'll understand that?" WTF? That's what she's been trying to tell him for the whole f*ing movie! She doesn't even respond, doesn't come anywhere close to whacking him over the head with her hat for being such a dumbass. Because the problem isn't with Rick the character. The problem is with the screenwriters. The film was written by something like half a dozen writers, each team being brought in to clean up the last one's work. The ones who wrote this last scene clearly didn't know what the hell was going on for the rest of the movie. Either that, or they were just misogynistic assholes who weren't interested in working on a movie where the powerful, intelligent woman got to be powerful and intelligent through to the end.

I hate Casablanca. If they had rewritten that last bit to "I finally understand that," it would have been passable. As it is, it's offensive, and I hate it.

[–]ditchtwicker[S] 1 point2 points ago

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I haven't stopped thinking about your comment since I read it. Why have I not noticed that before?
I think it can still work. Something along the lines of Rick justifies everything for himself by pretending that he came up with Ilsa's reasons on his own.
I agree with you that the movie is misogynistic. That is the reason I've always liked it. Not that I think misogynism is ok, just that this movie to me has always been about Rick and Louie, not Rick and Ilsa.

[–]kmunoz 0 points1 point ago

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It makes sense that Rick justifies it by pretending he came up with it himself. It doesn't make sense that Ilsa - who up to now has been smart, independent, powerful - doesn't kick his ass for it and storm away, realizing she's much better off with her husband.

[–]stubob 0 points1 point ago

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I've only seen it a couple times, but I thought it meant that he finally did understand what she was telling him, and that being together was less important than what she and her husband were doing. His "job" is to make sure she does hers.

[–]kmunoz 0 points1 point ago

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Yes, that all makes sense, except for his final words ("Someday you'll understand that") and her utter lack of response.

[–]fuzzo 0 points1 point ago

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go see a good print of, say, showboat (irene dunne, paul robeson) at a revival house like the waverly in nyc.

knock your socks off, jack.

[–]invadercee 0 points1 point ago

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The Astor Theatre here in Melbourne plays Casablanca on the big screen about twice a year. Winner = Melbourne.

[–]ditchtwicker[S] 0 points1 point ago

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Agreed.

[–]SPacific 0 points1 point ago

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I saw Rear Window on the big screen followed by 2001 in a "Great Directors Double Feature" They were both awesome, but Casablanca would be OT.